Pressing onward with the Hell’s Half Acre guitar, I’ve gotten the neck blank to the rough carve stage. To do this, I use a cabinet scraper as described in my previous post. After the truss rod has been installed and the spline glued in, the final headstock shape could be cut. Jim looks on as I finsih up.
In the photo below, you can see the tuner holes which are undersized until the moment the tuners are fitted. This will give a snug fit for improved vibration transfer.
The stepped channel for purfling and outside binding has also been cut. I’m using a half-herringbone purfling made of alternating maple and ebony pieces to create a look that evokes an image of the cowboy’s lariat. Here, you can also see the ring groove that has been cut at the headstock tip for the pearl monogram inlay. More after a while…
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