Much was made of the so-called super moon a few weeks back. Out here in the woods, most every appearance of the moon is pretty super looking. I did go outside the shop and shoot a few photos of the event as the moon peeked through the trees.
I’d forgotten about the photos until last night when I was sorting through the desktop looking for something else. When the image popped up on my screen I was immediately struck by the emotional feel and how it related to The Crow guitar. Can’t you just see a huge black crow flying under that moon? Maybe when the guitar is complete I’ll stick it up there and take a photo.
Today I’m leveling the first lacquer coats on The Crow, and spraying the first coats on Sakura. Using a hard rubber block, I’m sanding with 400 grit paper. The first level is the most important because it is the foundation for everything else. I like to take my time and I always follow the exact same pattern.
Once I’m done, it’s time for my signature on the headstock faceplate. The plate is made of black ebony, and no color will be used on it because I like the grain and streaks of color to show through.
Here’s a look at the carved maple back with the black stain. When the guitar is finished, this and the ebony headstock face will be the only transparent areas. I like the idea of a little surprise on the back of the guitar.
Jol, that back shot showing the sides and the binding is sick! That looks great-Can’t wait to see the completed guitar.
Really digging “Sleepwalk” on your jukebox, also. One of my favorite songs to play.
BTW-Is the hole in the back for the Charlie Christian pickup mount?
Thanks! I’m happy so far… Yes, that’s the height adjustment access hole—good eyes!
Awesome custom building. What is your backorder situation?
Your guitars are mindblowing. The amount of thought and preparation in your building process is inspirational. Whoever gets this guitar will own a masterpiece.