Wow. It didn’t seem possible, yet there it was. Two feet of heavy snow before the leaves were even close to being off the trees. The result was catastrophic. On our road the trees went down like tenpins, pulling down powerlines and bowling over utility poles. In an apocalyptic orange flash, transformers energized with tens of thousands of volts were tossed into the ravines around us. The roads were blocked, the power was out and even cell service was extremely spotty.
What followed was a week of melting snow for water and living like campers. After rebuilding a reluctant chainsaw, I got to work with neighbors to clear a path out. Luckily, we’ve got solar heat here, so at least we didn’t freeze.
I didn’t really miss the gym as there was plenty of physical labor to be done. Just when I’d thought the splitting and stacking of firewood was about finished, we had twenty times that amount to clear off the road just to get out.
Generators, jugs of fuel, tractors and chainsaws. By the third day, we could get onto the main roads, although there were plenty of downed powerlines to avoid.
After a full week, the power was finaly back, but twelve days into it there’s still no internet. I’m posting this from mylaptop in a cafe.
Downstate, things weren’t quite so bad. One of the first emails that I was able to access informed me that Heidi Roos had finished the engraving for the Sakura guitar, so I decided to take a ride down to Baron Engraving to pick it up. When Heidi, Pat Stuhlman and Custom Shop manager Tom Lent presented the work to me, I was lost for words. Heidi had reproduced my drawing, and improved it by adding a three-dimensional depth not evident in my original art.
The engraving and gold work exceeded my expectations completely. The detail is amazing and the nuance of the inlaid golds really make this a superior piece. The photos here don’t do it justice. While in the Baron shop, I did take a few photos of some of their other work in progress.
Check out this Colt revolver in a matte nickel finish. Hartford’s best made better.
On Heidi’s workbench was a shotgun part positioned underneath the stereo microscope she uses to see her work as she engraves with a mryiad of fine tools.
Here, Heidi holds the bridge pickup cover for the Sakura. It completes the cherry blossom engraving on the front plate pickguard seamlessly. You can see the brushed nickel background, rose gold blossom and yellow gold leaf highlights. I can’t wait to get some better shots back at the Workshop.