Roping in the Acre

After a few week’s absence from the docket, the binding of Hell’s Half Acre is back on the burner. Both neck and body are trimmed with a checked purfling made of ebony and maple—then bound with Italian-made cellulose.

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Of particular beauty is the florentine cutaway, which is my siganature flourish. I love the way the purfling and ivoroid binding mitres at the peak. It’s a bitch to do, but the results are worth it. Getting the black stripe of side purfling to line up isn’t a walk in the park either. If it were easy, wht fun would it be?

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The idea here is to evoke the cowboy theme contained in the history of Fort Worth’s most lawless period and place known as Hell’s Half Acre. The checked, half-herringbone really does look like the trail driver’s lariat. Now the guitar is completely roped in and ready to bring home. Just as the trail bosses pushed their herds north from Texas to the railheads in Oklahoma, we’re ready to push on with our project.

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Jol

Jol Dantzig is a guitar builder, designer, writer and filmmaker. He has worked for Gibson, Fender, Guild, Ovation, Gretsch, and was a founding partner of Hamer guitars—one of the first boutique custom guitar brands. Dantzig’s work has been played by hundreds of artists including Sting, Steve Stevens, Larry Coreyell, Dug Pinnick, Billy Gibbons, Keb Mo’, Nick Lowe, KK Downing, Glenn Tipton, John Abercrombie, Glen Campbell, Rick Nielsen, Kenny Vaughan, Lita Ford, James Honeyman Scott, Elliott Easton, Andy Summers, Peter Frampton, Martin Barre, Lyle Workman, Brad Gillis, George Harrison, Jeff Ament, Dweezil Zappa, Jeff Tweedy, Nancy Wilson—and many others.

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