The theme for the Crow guitar has been an organic, growing and living process. Crows are messengers, and they are scavengers. As Jim, Ferdinand and I discuss the background behind the writing of Kerouac’s On the Road, we begin to make the connections between the travels of Sal Paradise and Dean Moriarty with being on the road as a musician in a band. The wanderlust of a new generation searching for meaning, flowing from the Beats to Dylan and the Beatles, Hendrix and beyond. Gypsies on the road, their freak flag feathers in the wind of the rock and roll road-show.
Meanwhile, the guitar’s back needs to be planed to thickness before it can be carved. In this case, the back is a flamed maple, book-matched and planed to .625″ before I start the carving.
All of the guitar’s parts will be made on conventional woodworking equipment, so the next steps will be to make temporary templates for routing the chambering and center section. I’ve got an idea for the center-block that involves some tuned cavities, so that’s up next.