The week has really flown by. I’ve been so busy with a host of things that I’m only now getting a chance to survey the fitting of Sakura’s parts. Eight long months ago, I delivered the steel plates to be engraved with Heidi at Baron. They were right in the middle of some very high-profile jobs so I knew I’d have to wait my turn. Luckily, I had plenty of other work to do, but now it’s time to get back on the Sakura. The first step is checking the fit, as the guitar has been painted in the interim.
The brushed nickel finish looks great against the transparent cherry lacquer, and the neck fit is perfect so I won’t have to do any finessing there.
Time to dig out the hardware I set aside for this build and carry on. More in a few days. I’ll post some photos of the back plate then.
There’s been a lot going on since my last post. Hurricane Irene gave us a good scare but fortunately we escaped with very little damage. Some of our neighbors weren’t so lucky. Most of the work here involved strapping stuff down—moving and waterproofing things. The ramp up and wind down were more stressful than the storm itself. A few downed tree limbs and a general mess outdoors was the extent of it as we dodged the bullet.
After months of back and forth with the manufacturer, the case husk for the Crow arrived. Despite my sending samples for the vintage antique tweed, the color and finsih were not to my liking. I had paid for an entire hide of smooth, dark brown leather for the trim to match the antique suitcase—fortunately that was perfect.
Because I’d already tested a lacquering process for the samples, I knew that I could get the tweed right. It was just a matter of taking the case apart and antiquing it. The next step was to mix up the lacquer tint.
The color I wanted simulated decades of darkening and discoloration from use. The recipie included yellow, red, brown and a hint of violet all mixed into a thin base of lacquer. The application would be done with a two inch brush in order for me to work it into the weave.
Even though the tint was strong, I wanted to use multiple coats in order to replicate the uneven weathering of the original. This gives it a more authentic look and feel.
I’ll get the last coat on this morning before I head down to Infinity Hall to meet up with my old friend Keb’ Mo’. He’s taping a PBS concert tonight, and I had a small part in hooking him up with the gig. We’re gonna be talking guitars and catching up. There are some new ideas on the boil—can’t wait to see what we come up with.