A four decade tenure in the guitar-making world has given me a pretty good overview of things. As a guitar tech and musician I’ve recorded dozens of times in real studios and played live hundreds of times. As a designer, facilities and plant manager for a number of brands, I’ve overseen the production of tens of thousands of guitars. My lean/Kaizen consulting business has seen me working in the biggest guitar factories in the US and Mexico, and I’ve toured the guitar plants of Japan, Korea and China.
But what I really enjoy the most is making guitars one by one with my own hands. And that’s why I’m really digging this Tulsa Artist’s Proof thing I’m doing right now. Each of these instruments starts off as a completely freewheeling, let-my-instincts-rule sort of jam session. They are ideas I’ve toyed with, or suggested to clients before—and never followed through with.
They aren’t “stock” models, and they’re all different. Some utilize combinations of woods, hardware and electronics that I don’t really offer on the stock models. Normally, I have a small team helping me build the Dantzig models: Tulsa, Milano, Tupelo and Rialto, but this is a different thing altogether. I’m a lot more hands on, and honestly, it’s the closest you could get to one of my signature guitars without the signature.