Following Guitar Instincts

A four decade tenure in the guitar-making world has given me a pretty good overview of things. As a guitar tech and musician I’ve recorded dozens of times in real studios and played live hundreds of times. As a designer, facilities and plant manager for a number of brands, I’ve overseen the production of tens of thousands of guitars. My lean/Kaizen consulting business has seen me working in the biggest guitar factories in the US and Mexico, and I’ve toured the guitar plants of Japan, Korea and China.

factory floor

But what I really enjoy the most is making guitars one by one with my own hands. And that’s why I’m really digging this Tulsa Artist’s Proof thing I’m doing right now. Each of these instruments starts off as a completely freewheeling, let-my-instincts-rule sort of jam session. They are ideas I’ve toyed with, or suggested to clients before—and never followed through with.

Two Pines

They aren’t “stock” models, and they’re all different. Some utilize combinations of woods, hardware and electronics that I don’t really offer on the stock models. Normally, I have a small team helping me build the Dantzig models: Tulsa, Milano, Tupelo and Rialto, but this is a different thing altogether. I’m a lot more hands on, and honestly, it’s the closest you could get to one of my signature guitars without the signature.

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Jol

Jol Dantzig is a guitar builder, designer, writer and filmmaker. He has worked for Gibson, Fender, Guild, Ovation, Gretsch, and was a founding partner of Hamer guitars—one of the first boutique custom guitar brands.

Dantzig’s work has been played by hundreds of artists including Sting, Steve Stevens, Larry Coreyell, Dug Pinnick, Billy Gibbons, Keb Mo’, Nick Lowe, KK Downing, Glenn Tipton, John Abercrombie, Glen Campbell, Rick Nielsen, Kenny Vaughan, Lita Ford, James Honeyman Scott, Elliott Easton, Andy Summers, Peter Frampton, Martin Barre, Lyle Workman, Brad Gillis, George Harrison, Jeff Ament, Dweezil Zappa, Jeff Tweedy, Nancy Wilson—and many others.